Film Making Courses Designed To Provide Comprehensive Knowledge

Santosh Raut

Faculty

Mr. Santosh Raut who passed out from “Model Art Institute” Mumbai in 1992, soon started working in the field of Production Design first with Nitin Chandrakant Desai and then with Sanjay Dhabade. He has been involved in film projects and TV serials that includes “Chanakya”(1990), “Mriganayani” (1993), “1942: A Love Story” (1994), “Akele Hum Akele Tum” (1995), “Baazi” (1995), “Katha Doan Ganapatravanchi” (1996), “Gadar: Ek Prem Katha (2001), “The Hero: Love Story of a Spy” (2003), “Ab Tumhare Hawale Watan Saathiyo” (2004), “Chocolate: Deep Dark Secrets” (2005), “Vivah” (2006), “Ek Vivaah… Aisa Bhi” (2008), “Khulay Asmaan Kay Neechay” (2008), “Veer” (2010), and an international project named “The Other Side of the Door” (2016). Simultaneously he was also involved in shows like “Manikchand Filmfare Awards”, “Sansui Film Awards”, “Zee Film Awards”, “Hum Ek Hain”, “Zee Music Awards”, “Lata Mangeshkar Sangeet Rajani”, “Aasha Bhosle Show”, “A. R. Rahman Show” at Dubai besides promotion shows for companies like “BPL, Samsung, LG, and Britannia”. He is currently working as the “Set Construction” faculty in the Production Design department, WWI.

Ashwini Malik

Faculty

Mr. Ashwini Malik went to India’s premier film school, Film & Television Institute of India (FTII), to study Film Direction. His graduation film, The Waiter in Slow Motion, was in official competition at the prestigious Clermont-Ferrand International Short Film Festival 1995. Ashwini began his career in television, and wrote, directed and produced many fiction and non-fiction shows, including several hour-long thrillers in the popular Saturday Suspense series. In 2002, he directed his first feature film, Clever & Lonely, which was shown at many international film festivals. Since 2004, Ashwini has been involved in teaching Screenwriting and regularly conducts masterclasses and workshops in India and abroad. He has been a mentor at several script labs, including New Voices Fellowship for Screenwriters (by Asia Society), Mumbai Mantra Cinerise Screenwriting Programme, the MAISHA film labs in East Africa, NFDC’s script development workshop and the Indo-German Screenwriting programme. Most recently, he presented a paper at the CILECT Congress 2019, in Moscow. His screenwriting credits include I Am, Road, Movie and Sorry Bhai.

Karan Taley

VFX Supervisor

He is the VFX Supervisor at the Emerging Media Lab. He also overseas and creates workflows for virtual production and VR to train the upcoming generation of filmmakers with all emerging mediums. A VFX artist responsible for creating, managing, and optimising visual effects and animations for VR and Virtual productions, Karan completed his graduate degree in filmmaking with a focus on visual effects. Due to his extensive knowledge and expertise in this area, he joined the Whistling Woods International research team to look for new opportunities and processes to speed up and simplify the filmmaking process. He began his career in visual effects with AD films, short films, and a few feature films. Several of his films have been shown at prestigious film festivals around the world, including the Cannes Film Festival, the Chicago Film Festival, Jio MAMI, and the IFFSA Toronto.

Rushikesh Hande

Lab Technical Associate